A Cross Across 42nd Street
Processional Performance as Peaceful Protest
By Jamie Coffey ReynoldsTara Marie Good | comments |
Every year on Good Friday, Pax Christi International, a Catholic lay organization dedicated to peace and social justice, performs a radically modern interpretation of the traditional procession, the Stations of the Cross. Unlike conventional re-enactments of the Gospel, Pax Christi’s Stations of the Cross maps the narrative of Christ’s passion onto the New York City landscape, using the modern cultural significance of the city’s landmarks to illustrate to universal relevance of the ancient morality story. Using three modes a performance, witnessing, processing, and speaking, the procession reinterprets both traditional meanings of the Gospel, and the significance of popular landmarks. This paper will evaluate how Pax Christi utilized this traditional ritual to address conflicts and concerns facing the world in 2006, specifically, torture, discrimination, and war. By blending traditional forms of ritual with the hyper-modern landmarks of New York City, Pax Christi blurs boundaries of time and space, politics and spirituality, self and other, whereby challenging participants to reconsider and subsequently transform norms in their faith and in society at large.
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