The Ghosts of Past Ages
Uncanny Doubles and Traumatic Transformation in George Lippard’s “Bel of Prarie Eden”
By Natalie Kubasek | comments |
The sensational literature of nineteenth century American author George Lippard has been traditionally neglected and overshadowed by his contemporaries like Poe, Melville, Hawthorne and Whitman, despite the social relevance of his work during the antebellum period. Lippard’s work deserves critical examination because the sensational aspects of his stories are prime sites for understanding the intersections between popular political beliefs and popular forms of literature that produce national narratives reflecting the social and political temperament of antebellum America. In the past two decades, Lippard’s U.S.-Mexico war novelette, ’Bel of Prairie Eden, has undergone critical examination by scholars who are interested in how ’Bel and other U.S.-Mexico War novelettes construct a national narrative of the war that, according to Shelley Streeby, stages the United States’ “unity against the imagined disunity of Mexico.” My project also takes a critical look at ’Bel with regard to the national anxieties about the potential consequences of the war with Mexico that forms the bedrock of the narrative. I argue that Lippard attempts to establish borders of race and nation between Mexico and the United States in ’Bel, but in the process, these demarcations prove to be unstable and are constantly transgressed thereby exposing national anxieties about racial integration and U.S. expansionism due to the U.S.-Mexico war. As a result, Mexico emerges as an uncanny double of the United States, and the instability of borders in the novelette call into question the so-called unity and superiority of the United States.
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