The Reconstruction of the Past in A Midwife’s Tale
By Holly Kent | comments |
By Investigating various cinematic and authorial techniques, this article strives to discover the problematic issue of reconstructing an otherwise fluid past. Because the past is disjointed, subjective, and often goes ‘officially’ unwritten, both the necessity for imaginative (re)construction as well as extensive academic historical research are aligned to show the tensions between a ‘true’ and a ‘factual’ historical representation. Moreover, tensions created the structure of A Midwifes Tale and shifting means of representation are examined in an effort to expose the mandate behind the film’s portrayal. Kent also further emphasizes the difficulties of constructing the narrative of the oppressed (female) subject, and argues that A Midwife’s Tale exhibits an uneasy tension between the filmmakers’ desire to represent the disjointed, subjective process by which history is created, and to produce a powerfully appealing, seemingly authentic visual reconstruction of the past.
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